For the opening night of Nobu One Za’beel in Dubai, Jacqueline Fernandez made a compelling case for understated glamour. In a city synonymous with opulence and high-voltage fashion moments, the actor chose restraint over excess — and in doing so, stood out effortlessly. Her appearance wasn’t about chasing attention; it was about commanding it quietly.
Against the sleek, architectural backdrop of Nobu One Za’beel, Jacqueline’s look felt deliberate, refined, and rooted in confidence. The choice of purple — rich, regal, and often underplayed in eveningwear — instantly set the tone. It was a colour statement that spoke of authority, elegance, and modern femininity, redefining purple as a contemporary power shade.
A Modern Drape by Shantanu & Nikhil
Jacqueline Fernandez wore a one-shoulder drape gown by Shantanu & Nikhil, priced at ₹48,500, that embodied the designers’ signature language of sculptural minimalism and fluid form. The gown featured an asymmetrical neckline with a cape-like drape cascading from one shoulder, creating movement without overwhelming the silhouette.
The design struck a delicate balance between structure and softness. The fabric skimmed the body with precision, while a thigh-high slit added a measured dose of sensuality — confident, not provocative. Rather than relying on heavy embellishment, the gown allowed its form and construction to do the talking.
Styling That Let the Outfit Breathe
Styled by Shaleena Nathani, Jacqueline’s look remained sharply edited. Every styling choice reinforced the central idea: let the gown lead.
Her hair was pulled back into a sleek high ponytail, ensuring the asymmetrical neckline and flowing drape remained uninterrupted. The clean hairstyle enhanced the architectural lines of the outfit while adding a polished, almost editorial finish.
Makeup followed the same philosophy of restraint. Jacqueline opted for fresh, glowing skin, softly defined eyes, and a neutral lip. The beauty look didn’t compete with the gown’s colour but instead allowed the purple hue to take centre stage, amplifying its impact.
Accessories: Thoughtful, Not Overpowering
Accessories were chosen with intention. Jacqueline paired the gown with Aquazzura heels, keeping the footwear elegant and understated. Jewellery choices further reinforced the theme of refined glamour.
Earrings from Origem India added just the right amount of sparkle, while a Mozaati ear cuff introduced a contemporary edge. Rather than layering multiple statement pieces, the accessories were selectively curated to complement the gown’s sculptural lines.
This careful balance ensured that nothing distracted from the overall composition — a reminder that true luxury often lies in knowing when to stop.
Why This Look Worked
What made Jacqueline Fernandez’s appearance stand out wasn’t just the designer label or the colour choice — it was the clarity of vision. In a space where maximalism often dominates, her look embraced confidence through simplicity.
The purple gown delivered drama through form rather than flash. The styling reflected trust in the design. And the overall presentation conveyed a woman fully at ease with her presence — powerful without being performative.
In many ways, the look mirrored a broader shift in fashion, where power dressing is no longer about sharp shoulders or exaggerated silhouettes alone. Instead, it’s about composure, intention, and authenticity.
Redefining Eveningwear Power Dressing
Jacqueline’s Nobu One Za’beel appearance reinforces an important idea: modern glamour doesn’t have to shout. It can be fluid, composed, and deeply confident.
In choosing a rich purple hue, architectural draping, and minimal styling, she transformed what could have been just another red-carpet moment into a masterclass in contemporary evening dressing. It was a reminder that power doesn’t always arrive loudly — sometimes, it enters the room quietly and leaves a lasting impression.
In Dubai’s world of high-octane luxury, Jacqueline Fernandez proved that balance, restraint, and intention remain the most powerful style statements of all.
