Touch Buddy from Dacoit: Ek Prem Katha is officially out, and it has landed with exactly the kind of force its makers promised. Featuring a rare on-screen collision of Bhojpuri powerhouse Pawan Singh, Telugu star Adivi Sesh and acclaimed singer Jonita Gandhi, the track is a bold, high-energy number that signals Dacoit’s arrival as one of the most ambitious bilingual productions of the year.
The song had been on fans’ radar ever since the makers first teased the collaboration. The curiosity was understandable — three artists from distinctly different entertainment worlds coming together for a single track is not something audiences get to see every day. Now that Touch Buddy is here, it becomes clear why the project generated so much anticipation.
At its core, Touch Buddy is a celebration track. It is upbeat, catchy, and built with a single intention: to get audiences moving. The production leans hard into a high-octane sound that mirrors the film’s action-driven narrative, making it less of a standalone pop release and more of an experience designed to complement the larger story being told on screen.
The energy is consistent throughout. There are no slow bridges or tonal shifts that undercut the momentum — Touch Buddy commits to its vibe from the first beat to the last and delivers on that promise without compromise. For audiences who like their film songs to hit hard and stay memorable, this one does the job well.
The Voices Behind the Track — Pawan Singh and Jonita Gandhi
The vocal combination of Pawan Singh and Jonita Gandhi is one of the most interesting creative decisions in Touch Buddy, and it pays off. Pawan Singh, who has built an enormous following through his Bhojpuri catalogue, brings a raw, commanding energy to the track that feels entirely natural within an action-film context. His voice carries weight, and that weight is felt.
Jonita Gandhi, on the other hand, brings polish, precision and an international sensibility that balances Pawan Singh’s raw power. Her contribution lifts the song into a different register — she does not simply fill the female vocal slot but adds genuine dimension to the track’s overall texture. Together, the two singers create a contrast that works remarkably well.
Adivi Sesh Brings the Screen Energy
While Touch Buddy is fundamentally a song, Adivi Sesh’s on-screen presence ensures it functions as a visual experience as well. Known for his intense performances and his ability to command a frame, Sesh brings a celebratory, charismatic side of himself to the video that fans may not have seen as often. He matches the song’s energy without overshadowing his co-stars, and the chemistry between all three — Pawan Singh, Sesh and Gandhi — gives the video a lively, almost festive quality.
It is the kind of performance that makes a promotional song feel like an event rather than an obligation, and that is exactly what Dacoit’s marketing needs at this stage.
The music for Touch Buddy has been composed by Bheems Ceciroleo, a name well-known in South Indian cinema for delivering memorable, high-impact tracks. His fingerprints are clearly on this one — the production is full and layered, with a driving rhythm that anchors the entire track. The sound sits comfortably at the intersection of commercial Bollywood and mainstream Telugu film music, which is precisely the crossover space Dacoit is targeting.
Lyrics have been penned by Vayu Shrivastava, and they serve the song’s purpose effectively — they are not trying to be poetic, they are trying to be fun, and they succeed at that. The decision to record and release Touch Buddy in both Hindi and Telugu is a smart one. It significantly broadens the film’s potential reach and acknowledges that Dacoit: Ek Prem Katha is not a regional film in the limited sense — it is a pan-India release with genuine ambitions.
What the Artists Said
“I love experimenting with my music, and when Adivi Sesh came to me with the idea, I instantly knew the kind of energy I wanted to bring to this intense and action-packed film.” — Pawan Singh
Pawan Singh’s enthusiasm for the collaboration is evident both in his words and in his performance. His willingness to step outside his primary Bhojpuri audience and work within a bilingual, pan-India production speaks to an artist who is actively expanding his creative horizons.
“Recording Touch Buddy in both Telugu and Hindi was a really enjoyable experience. Stepping in front of the camera and dancing for the song — that’s a first for me for any film so far.” — Jonita Gandhi
For Jonita Gandhi, Touch Buddy marks a notable personal milestone. Having appeared on screen before in various capacities, performing as a full participant in a film song sequence is new territory for her. Her openness about that experience adds an authentic dimension to the song’s release narrative.
How Touch Buddy Fits Into Dacoit: Ek Prem Katha
Dacoit: Ek Prem Katha is being positioned as a film that blends intense action with emotional storytelling. The title itself — Ek Prem Katha, meaning “a love story” — suggests the filmmakers are aiming for an audience that wants both spectacle and substance. Touch Buddy serves the spectacle side of that equation.
As a promotional strategy, releasing a high-energy track that features its lead actor alongside two major names from other entertainment spheres is a calculated and effective move. It generates conversation, extends the film’s reach into new audiences, and ensures that Touch Buddy functions as a standalone piece of content that drives curiosity toward the film itself.
JAY-HO! TAKE
Touch Buddy works because it is honest about what it is — a commercial, high-energy track designed to build momentum for a big-screen release — and it executes that brief with real conviction. The pairing of Pawan Singh and Jonita Gandhi is the song’s smartest creative decision, and Bheems Ceciroleo’s production ensures it holds up beyond a single listen. Adivi Sesh’s on-screen presence seals the deal. If Dacoit: Ek Prem Katha can channel even half of this track’s energy into its full runtime, it has the makings of a genuinely entertaining pan-India release. Keep an eye on this one.
